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Covent Garden Escorts[ Stage door · WC2E ]
[ Act V ]Cast by age band · Casting notes

Late twenties: fourteen names, sorted by the first question she asks

The longest band the board carries, fourteen names between 25 and 29, and the one where a suggestion arrives before you have finished asking for one. Tastes here are settled without having hardened.

The quickest way to sort fourteen people is by what each of them wants to know first, since that is the part you will actually notice in the opening ten minutes of an evening.

01 Scene

What have you already seen?

Karolina asks because the opera dates are pencilled into her diary months out and she would rather not repeat your week. Danielle asks because she wants to know whether you will sit through a film made in 1948, and she will argue about it afterwards in a voice that carries without being raised. Patricia asks so she can steer towards the screening, the second hand bookshop and the walk by the water that follows both.

02 Scene

How long are you in town?

Nora asks it more or less on the platform, since arrivals are her speciality and a champagne bar under the ironwork is her opening move. Vanessa asks it in order to slow everything down, preferring one unhurried evening to two rushed ones. Laura asks because her day opens at midday and the same afternoon often works. Tina asks because she is four streets away and can therefore be flexible in a way nobody else on the sheet can.

03 Scene

What do you want the evening to feel like?

Michelle asks it outright and then keeps a table of strangers behaving for four hours. Liana asks it quietly and answers with a bookshop, a long dinner and no clock in the room. Thea asks it on the way to a counter with two stools at it. Rosa asks somewhere between a record shop and the restaurant, and the answer usually adds an hour to the plan.

04 Scene

Nothing at all, and she is in the lobby at eight

Milena decided before she left the house and has no patience for a vague arrangement, which makes her the easiest name on the board at short range. Samanta wants the night agreed by mid afternoon and then keeps to the hour precisely. Cindy simply turns up in daylight, having built her diary around it, and the afternoon runs itself.

05 Scene

Why the longest band is the easiest to book

Fourteen diaries mean one of them is nearly always open, including on the nights when the rest of the board has gone. It also means fewer surprises. These are people who know which room they like, how long they want to be in it and when they intend to be home, so a plan agreed in a message tends to be the plan that happens.

06 Scene

Settled, and what that looks like

A view offered once, without any need to win it. Comfortable with a silence in the middle of dinner, comfortable telling you the film was not very good. The age itself is a fact taken from a document and never a ranking, and the house writes about no woman on this sheet as though a number were the point of her.

07 Scene

Where the fourteen cross other notes

Eight are on brunettes, three on raven haired, two on blondes and one on auburn and red. The frames divide six to slim and slender, five to statuesque, four to curvaceous, three to petite and three to toned and athletic. Either side of this band sit early twenties at ten names and thirties and beyond at four.

08 Scene

Holding one of the fourteen

Two dates and an hour range will nearly always come back with a name from this band. An ordinary night is confirmed within the hour; a journey out of town wants a day or two, which is how a companion for a train or a flight gets arranged. Evenings starting at Euston are written to the departure board rather than to the clock, and every figure is printed on the rail.

// Five minutes to curtain

Call the stage door

One message names the evening you want and the desk answers inside a quarter of an hour, at any point on the clock. Tell us the day, the hour, how long you would like and where she should come, and the rest is written down for you.

Running order

  1. Half hour
  2. Beginners
  3. YouCurtain up
  4. Interval
  5. Final bow