About the house behind the stage door
Covent Garden Escorts introduces adults to adults. It puts guests in touch with independent companions who work for themselves, in the hotels, flats and houses of WC2 and the postcodes beside it, and it runs the way this quarter runs after dark: to the minute, without fuss, everything agreed before anybody moves.
Why a stage door
Every theatre has two entrances. The front of house belongs to the crowd, the queue and the programme sellers. The stage door is plain, unlit and around the side, and it belongs to the people the evening actually depends on. That is the entrance this house keeps. Nothing about an evening arranged here is advertised to the room you walk into, and nothing about it needs to be.
What the desk does through a night
It reads messages and answers them, at four in the afternoon and at four in the morning, inside 10 to 15 minutes. It keeps the company current, confirms who is genuinely free, agrees figures in writing and checks that a booking is what it appears to be. It works outcall only, to hotels and private addresses, which is why no premises and no street address appear anywhere here. Fees cover time and companionship only, and nothing further is offered at any price.
How a companion joins the company
She asks. Before a pass is printed the desk meets her in person, sees identification confirming she is eighteen or over, checks her right to work in the United Kingdom and holds every photograph up beside her. No agent, manager or intermediary of any kind brings a woman here; she arrives on her own account. She decides what her pass says, changes it whenever she likes and may take it down entirely, at once, without explaining herself to anybody.
One rail for everybody
Twenty eight women, one set of figures. An hour opens at £250 whichever name you choose, and the ladder above it is printed in full on the rates page rather than hidden behind a message. Houses that price one companion above another are usually ranking them for you, and that is not a service this one provides. The figure is the same on the Strand as it is at Euston.
Photographs held to one standard
No pass is issued from a photograph alone. Each portrait is matched to the woman in the room before it goes up, retaken when her look changes and withdrawn the moment it stops resembling her. Nothing on this site is stock, borrowed or generated by a machine. The whole procedure, including what is refused, sits on the photo policy page.
Notes from guests, printed only when real
Written feedback is printed here only after a booking that actually happened, and it is read before publication: first name, month, no explicit detail, edited for those rules and nothing else. A three star note that is genuine is worth more than a wall of perfect ones that are not, so honest ones stay. Any companion may have a note about her taken down without giving a reason.
Nobody works here under pressure
Every woman on this site chose to be here, works for herself, and may end any booking that feels unsafe, disrespectful or pressured while keeping the fee. Where anyone seems to be acting under pressure from another person, the desk will not work with them, and it closes any arrangement where exploitation is suspected. Should you ever be worried about somebody, here or anywhere else, the reporting line at the foot of every page is the right place to take it.
Hours, and the ground covered
The desk is staffed every hour of every day, bank holidays included, and the twelve venues on the circuit run from the Piazza out to Waterloo and the termini. Anywhere in Zones 1 and 2 is reached with the travelling already inside the fee. That is the whole promise, and it is the same one on every page here.
Call the stage door
One message names the evening you want and the desk answers inside a quarter of an hour, at any point on the clock. Tell us the day, the hour, how long you would like and where she should come, and the rest is written down for you.
Running order
- Half hour
- Beginners
- YouCurtain up
- Interval
- Final bow