The house lights drop on Aldwych at half past seven, and she is reliably the calmest person in the room. Angelika measures 172 cm, carrying the shoulders of somebody who plays tennis three mornings a week rather than somebody who trains for photographs. Her hair is black, long, worn without a wave in it. Her eyes are brown, and they have finished reading a room before she has taken her coat off. The clothes are quiet and well cut, and the jacket ends up over the back of a chair within ten minutes of sitting down.
Confidence in her case runs at low volume. The playful streak only surfaces once a table has warmed up, usually as a dry remark landed at precisely the wrong moment, and she listens far better than most people manage to. Conversation happens in English. Small gallery shows are the weekend habit, and she will steer you towards a single room of twelve paintings over a blockbuster every time, on the grounds that you might actually remember it. Jazz she takes live or not at all. Early twenties, and in a hurry about nothing.
Her WC2 evening opens with one drink in your hotel lounge, then the short walk to Cellar Door, the lamplit room tucked beneath the pavement near Aldwych, where the piano starts late and the audience is small enough to feel conspiratorial. She wants the table nearest the keys. She goes quiet the moment the set begins and stays that way until it breaks. When it finishes the Strand is still bright, the river sits two minutes downhill, and she is in no rush to decide what happens next.
Mayfair is where she sleeps, Strand and Aldwych is where she works, and seven o'clock tonight is realistic more often than not. Send her name to booking and you will hear back plainly, one way or the other, about the night you want.
Her home stage is Mayfair, and she travels from there to the venues this house covers. Her full listing sits with the rest of the company on the companions page.